Mackie Digital 8Bus D8B v5.1 Manuel d'utilisateur Page 134
- Page / 198
- Table des matières
- DEPANNAGE
- MARQUE LIVRES
Noté. / 5. Basé sur avis des utilisateurs
D8B Manual • Chapter 4 • page 128
Connecting the Digital 8•Bus to
ADATs Using an External Sync Box
Cabling and Hookup
1. Connect a fiber optic (lightpipe) cable between
the ADAT’s DIGITAL IN and the DIO•8 card’s
ADAT OPTICAL OUT. Likewise, connect the
DIO•8 cards’ OPTICAL IN to the ADAT’s
DIGITAL OUT.
2. Connect the 9-pin D-sub sync cables between the
Sync Box (SYNC OUT) and the first ADAT’s
SYNC IN connector. Then connect the sync
cables in a daisy-chain fashion between the
remaining ADATs. Connect the SYNC OUT on
the last ADAT to the SYNC IN on the Sync Box
to complete the loop.
3. Connect MIDI cables between the MIDI OUT
connector on the Digital 8•Bus’ Remote CPU
and the MIDI IN connector on the Sync Box, and
between the MIDI IN connector on the Digital
8•Bus’ Remote CPU and the MIDI OUT
connector on the Sync Box.
Settings
D8B
1. Open the Setup window by pressing Ctrl+1 or
clicking Setup in the bottom menu bar on-screen.
2. Click “Digital I/O” to open the Digital I/O
dialog box.
3. Click each Tape Input and Output box and select
ADAT for each DIO•8 card installed.
4. Set the “Samplerate” to match the sample rate
of the formatted ADAT tapes (typically 48 kHz
or 44.1 kHz).
ADATs
1. Select DIGITAL IN on the ADAT front panel.
Modular Digital Multitrack
CLOCK
EXT
INPUT MON
INPUT
DIGITAL
48K
INPUT MONITORINPUT SELECT
AUTO
INPUT
ALL
INPUT
TRACK
COPY
DIGITAL
INPUT
Notes:
• When powering up, turn the Digital 8•Bus on first,
then turn the ADATs on.
- ’S MANUAL 1
- S MANUAL 1
- SAFETY INSTRUCTIONS 2
- Statement of Conformity 3
- Table of Contents 4
- Getting Ready 9
- Introduction 10
- PARALLEL 11
- KEYBOARD 11
- Optional Refreshments 12
- A New Way of Thinking: 13
- Four Consoles in One! 13
- Fader Bank Selection 14
- ASSIGNMENT 15
- Signal Routing Concept 16
- Signal Flow 18
- Tracking/Routing 19
- Monitoring 19
- Figure 1-6 D8B Block Diagram 20
- D8B OUTPUT SECTION 21
- X2 LEFT AND (RIGHT) 21
- Specifications 23
- Physical Dimensions 24
- Updating Software 25
- Where Is It? 27
- 1 Analog I/O (AIO•8) 28
- 2 Apogee Digital I/O (DIO•8) 28
- AUX OUT Section 30
- Remote CPU Description 31
- Control Surface Functions 32
- Master Section Description 34
- Master V-Pot Section 35
- V-Pot Assign Section 36
- DIGITAL TRIM 37
- Talkback Mic 37
- CHANNEL Select Display 38
- Fat Channel Display 38
- V-Pots and SELECT buttons 38
- PREVIOUS and NEXT arrows 38
- STUDIO/SOLO 39
- CONTROL ROOM 40
- SPEAKER LEVEL 40
- CUT/ZERO SET 41
- CLIPBOARD 41
- Master L–R/Shortcuts Section 42
- Bus Assignment Section 42
- Automation Section 42
- Session Setup Section 44
- Transport Section 45
- BEATS LOOP 46
- POSITION 46
- What’s On TV? 47
- Using the Graphic 48
- User Interface (GUI) 48
- Quick Select Fat Channel 49
- Point and Click Aux Sends 50
- Quick EQ 51
- Digital Trim 52
- Level To Tape 52
- Multitrack Direct Outs 52
- The Master Strip 53
- The Feedback Loop 53
- Signal Path (INSERTS) 55
- May I See A Menu Please 57
- Reset Template 58
- The Desktop Window (Ctrl+D) 58
- The Edit Menu 59
- The Channel Menu 62
- Open Channel… 63
- Save Channel As… 63
- Group… (Ctrl+G) 64
- Channel Link… (Ctrl+L) 64
- Unlink (Ctrl+U) 65
- Faders to Unity (Ctrl+]) 65
- Faders to Off (Ctrl+[) 65
- Adjust Channel Delay… 65
- The Options Menu 66
- Automation Sub-menu 67
- Transport Sub-menu 67
- Meters Sub-menu 68
- Faders to Tape 68
- Use Nine Pin Control 68
- The Plugins Menu 69
- Basic MFX Use Procedure 70
- Basic UFX Use Procedure 70
- Shortcut to Plug-in Windows 70
- Plug-ins Selector 70
- The Windows Menu 71
- Hot Keys 72
- Close All (Ctrl+\) 72
- The Setup Window (Ctrl+1) 72
- Tape Banks 74
- Stereo I/O 74
- Licensing 74
- The Snapshot Window (Ctrl+2) 77
- The Surround Window (Ctrl+3) 79
- • Undo previous action 82
- The Locator Window (Ctrl+4) 83
- Page and Back Pull-downs 85
- • 4 Band Parametric 90
- • 20/20 EQ 90
- • British EQ 90
- • British H/P 90
- The Panning Window (Ctrl+7) 95
- The Faders Window (Ctrl+8) 96
- Track Sheet (Ctrl+T) 98
- Erase UFX Memory 100
- Upgrade UFX Cards 100
- Applications 101
- Setting Up for a Session 102
- Setup Window 103
- Connections for DA-88 105
- Connections for ADAT 105
- Installation of FX Cards 106
- Installation of I/O Cards 107
- Input source 108
- The Fat Channel 108
- Signal Routing 108
- Connecting TASCAM (TDIF) 109
- Multitrack(s) 109
- Connecting TDIF Digital 109
- Multitrack Recording 110
- Multitrack Tracking Checklist 111
- Modular Digital Multitrack 112
- Record Ready Buttons 112
- PHONES/CUE MIX 1 113
- PHONES/CUE MIX 2 113
- Sample Tracking Setup 114
- Vocal Enhancer 115
- Stereo Effects 115
- Procesor 115
- Mixdown Setup 116
- Sample Mixdown Setup 117
- Effects/Plug-ins 118
- Setting Up Plug-ins 119
- Dynamics and EQ Applications 120
- Digital 8•Bus 121
- MIDI SYNC 121
- Word Clock and the D8B — 122
- The Kitchen Sync 122
- Sync Hub 123
- That Is the Question 125
- D8B–HDR24/96 Setup 126
- TDIF Hookup with DIO•8 127
- Digital 8 127
- HDR 24/96 127
- (DIO•8 or OPT•8) 128
- Digital•8 Bus 129
- AES/EBU Hookup with PDI•8 130
- Cabling and Hookup 131
- Settings 131
- BRC and ADATs 132
- MASTER OUT 133
- BUS OUT 1-8 133
- Other Notes 137
- MIDI Interface 139
- Post-Production Setup 142
- Using Basic Automation 143
- Set Default Levels… 144
- Auto Touch Mode 144
- Write Ready Mode 145
- Trim Levels 145
- Automation Start-up Procedure 146
- Appendices 147
- Appendix A 148
- Troubleshooting Guide 149
- Appendix B 150
- IVL Vocal Studio 150
- Control Mode 151
- Edit–Harmony Ensemble 151
- Operation–Harmony 152
- The Harmony Control Modes 154
- SmartChord 155
- SmartKey 155
- The Difference 156
- Pitch Shift 156
- What is Pitch Corrector Mode? 156
- What are the Controls? 156
- Appendix C 158
- Deactivating the Plug-in 159
- Dynamic Real Time 160
- Event Based 160
- FX Routing 161
- GUI Control 162
- Pot Assigned 162
- The FX Return Channel 163
- 3-Band Parametric EQ 164
- Effects Type 164
- Ping Pong 165
- Appendix D: Shortcuts 166
- Transport Functions 167
- ODDS ’N’ ENDS 168
- Appendix E 169
- MIDI Implementation Guide 169
- Appendix F 170
- HUI Mode 170
- Connections 171
- Operation 171
- For Pro Tools 174
- For Nuendo 176
- For Cubase SX 178
- For DP3.1 180
- For Soundscape 182
- For Logic 6 184
- Appendix G 186
- Compatible Cables 186
- Other Cables 187
- Colophon 197
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