1642-VLZ PRO16-CHANNELMIC/LINE MIXEROWNER’S MANUAL1MUTE23MUTEMUTE4MUTELINE ININSERTXDRMICPREMIC 1BALUN-BALLINE ININSERTXDRMICPREMIC 2BALUN-BALLINE INI
10LINE ININSERTXDRMICPREMIC 1BALUN-BALLINE ININSERTXDRMICPREMIC 2BALUN-BALLINE ININSERTXDRMICPREMIC 3BALUN-BALLINE ININSERTXDRMICPREMIC 4BALUN-BALLINE
11 LINE INPUTSThese 1/4" jacks share circuitry (but notphantom power) with the mic preamps. Youcan use these inputs for virtually any signalyou’l
12 DIRECT OUT (on rear panel)Found only on channels 1–8, these 1/4" jacksdeliver the signal from the very end of thechannel path; post-TRIM, post
13 EFFECTS: SERIAL OR PARALLEL?You’ve heard us carelessly toss around theterms “serial” and “parallel.” Here’s what wemean by them:“Serial” means that
14LN-L13LEFTLEFTRIGHTLEFTRIGHTMONOMONOO14RIGHTBAL /UNBALBAL /UNBAL15LEFTMONO16RIGHTTAPEINTAPEOUTBALUN-BALLINE IN 11 LINE IN LINE INLINE IN 12XDRMICPRE
15switch in to reduce the output by 30dB, so youcan feed the mic input of another mixer, forexample. Leave the switch out to connect toprofessional +4
1613LEFTLEFTRIGHTLEFTRIGHTMONO14RIGHTBAL /UNBALBAL /UNBAL15LEFTMONO16RIGHTTAPEINTAPEOUTLINE IN LINE INPHONESABLAMP12 V0.5A1642-VL Z PRO16-CHANNEL MIC/
17 CHANNEL STRIP DESCRIPTIONA Clean FadeFaders are not rocketscience — they operate bydragging a metal pin (thewiper) across a carbon-based strip (the
18If you’re printing new tracks or bouncing ex-isting ones, you’ll also use the 1–2 and 3–4switches, but not the L/R switch. Here, youdon’t want the s
19Stereo SourcesUse channels 9-16 to connect stereo soundsources. If you must use the mono channelstrips (1-8) for stereo sources, follow this stan-da
2CAUTION AVISRISK OF ELECTRIC SHOCK DO NOT OPENRISQUE DE CHOC ELECTRIQUENE PAS OUVRIRCAUTION: TO REDUCE THE RISK OF ELECTRIC SHOCKDO NOT REMOVE COV
20Used in conjunction with the LOW CUTswitch , you can boost the LOW EQ withoutinjecting a ton of subsonic debris into the mix.We recommend using the
21 AUX 1, 2, 3, & 4These four knobs tap a portion of eachchannel’s signal, mix them together and sendthem to the AUX SEND outputs . They areoff w
22UOO+20OO+20UOO+15OO+15STEREO AUX RETURNEFFECTS TO MONITORSTO AUXSEND 2TO AUXSEND 1121234C-R / PHNSONLYRETURNSSOLOMAIN MIXTO SUBSASSIGN OPTIONS1–23–4
23 CONTROL ROOM AND PHONESThese knobs control the level of the stereoC-R OUTS and PHONES outputs . Eachcontrol range is from off through unity gain
24 MODE (NORMAL (AFL)/LEVEL SET (PFL))You may have already seen this in the SOLO discussion, but in case you missed it: The1642-VLZ PRO’s solo system
25 METERSThe 1642-VLZ PRO’s peak metering system ismade up of two columns of twelve LEDs. Decep-tively simple, considering the multitude of signalstha
26 AUX SENDS SOLOOnce again, in a live sound situations AUXSEND 1 and 2 are likely to feed your stagemonitors. You’ll want to check the mix you’resend
27(MAIN MIX TO SUBS switch up) and you did adrum fade-out using subgroup faders 1 and 2,the “dry” signals would fade out, but the “wet”signals would k
281642-VLZ PRO BLOCK DIAGRAMMAIN LSUB 3MAIN RSUB 2SUB 1SUB 4AUX 1AUX 2AUX 3AUX 4SIP LSIP RPFLLOGIC75HzHPFMID HI80 100 8K 12KLOLR1234SIP LSIP RPFLPHANT
29GAIN STRUCTURE DIAGRAM+22dBu max in15dB loss, TRIM down45dB gain, TRIM upLINE IN, all channelsMIC IN, all channels60dB gain, TRIM up0dB gain, TRIM d
3Part No. 0006983-90 Rev. A1 06/03©2003 Mackie Designs Inc. All Rights Reserved.We realize that you must have a powerfulhankerin’ to try out your n
30SPECIFICATIONSMain Mix Noise20Hz–20kHz bandwidth, 1⁄4" Main Out, channel Trims @unity gain, channel EQs flat, all channels assigned to Main Mix
31SERVICE INFODetails concerning Warranty Service arespelled out on the Warranty Card included withyour mixer (if it’s missing, let us know and we’llr
32APPENDIX A: CONNECTIONS“XLR” CONNECTORSMackie mixers use 3-pin female “XLR”connectors on all microphone inputs, withpin 1 wired to the grounded (ear
33(cold) and the ground (earth) connections ofthe balanced input. If there are ground-loopproblems, try connecting the unbalancedground (earth) connec
34Using the Send Only on an Insert JackIf you insert a TS (mono) 1⁄4" plug only partially(to the first click) into a Mackie insert jack, theplug
35TIP (SEND)RING (IN)TIP (OUT)RING (RETURN)TO MIXERCHANNEL INSERTRING (RETURN)TIP (SEND)TO PROCESSORINPUTFROM PROCESSOROUTPUTY-cord insert cableY-cord
Session:NOTES:Date:1642-VL Z PRO1MUTE23MUTEMUTE4MUTE5MUTE6MUTE7MUTE8MUTETRACK6TRACK5TRACK4TRACK3TRACK2TRACK1REC2REC1TRIM1LOW CUT75 Hz18dB/OCT+15dB -45
UOO+20OO+20UOO+15OO+15STEREO AUX RETURNEFFECTS TO MONITORSTO AUXSEND 2TO AUXSEND 1121234C-R / PHNSONLYRETURNSSOLOMAIN MIXTO SUBSASSIGN OPTIONS1–23–4UO
38COLOPHON(Roll credits please) Manual written by JeffGilbert, based on a musical by Ron Koliha, withtidbits borrowed from almost everywhere. Manualth
391642-VLZ PRO LIMITED WARRANTY3. Make sure that the problem can be dupli-cated. If you bring your product to an AuthorizedService Center and they can
41MUTE23MUTEMUTE4MUTELINE ININSERTXDRMICPREMIC 1BALUN-BALLINE ININSERTXDRMICPREMIC 2BALUN-BALLINE ININSERTXDRMICPREMIC 3BALUN-BALLINE ININSERTXDRMICPR
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5CONTENTSOUTPUT SECTION DESCRIPTION ... 22MAIN MIX FADER ... 22VLZ MIX ARCHITECTURE ...
61642-VLZ PRO 8-Track Tracking HOOKUP DIAGRAMSEFX AStereo CompressorEFX BCHANNEL INSERTSCHANNEL INPUTSAUX SENDSBAL/UNBALTAPEOUTTAPEINPHONESOUTSUB OUT
71642-VLZ PRO Video setupCHANNEL INSERTSCHANNEL INPUTSAUX SENDSBAL/UNBALTAPEOUTTAPEINPHONESOUTSUB OUTSBAL/UNBALC/R OUTBAL/UNBALMAININSERTAUX RETURNSD
81642-VLZ PRO Stereo P.A.CHANNEL INSERTSCHANNEL INPUTSAUX SENDSBAL/UNBALAUX RETURNSDIRECT OUTBAL/UNBALMONOMAIN OUTBAL/UNBALLR L RTurntableActive PA S
91642-VLZ PRO Church InstallationCHANNEL INSERTSCHANNEL INPUTSAUX SENDSBAL/UNBALTAPEOUTTAPEINPHONESOUTSUB OUTSBAL/UNBALC/R OUTBAL/UNBALMAININSERTAUX
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