Mackie 1642-VLZ PRO Manuel du propriétaire

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1642-VLZ PRO
16-CHANNEL
MIC
/
LINE MIXER
OWNERS MANUAL
1
MUTE
23
MUTEMUTE
4
MUTE
LINE IN
INSERT
X
D
R
M
I
C
P
R
E
MIC
1
BAL
UN
-
BAL
LINE IN
INSERT
X
D
R
M
I
C
P
R
E
MIC
2
BAL
UN
-
BAL
LINE IN
INSERT
X
D
R
M
I
C
P
R
E
MIC
3
BAL
UN
-
BAL
LINE IN
INSERT
X
D
R
M
I
C
P
R
E
MIC
4
BAL
UN
-
BAL
LINE IN
INSERT
X
D
R
M
I
C
P
R
E
MIC
5
BAL
UN
-
BAL
LINE IN
INSERT
X
D
R
M
I
C
P
R
E
MIC
6
BAL
UN
-
BAL
LINE IN
INSERT
X
D
R
M
I
C
P
R
E
MIC
7
BAL
UN
-
BAL
LINE IN
INSERT
X
D
R
M
I
C
P
R
E
MIC
8
BAL
UN
-
BAL
BAL
UN
-
BAL
LINE IN 9
LINE IN 10
X
D
R
M
I
C
P
R
E
MIC
9-10
L
R
13
LEFT
LEFT
RIGHT
LEFT
RIGHT
MONOMONOMONO
14
RIGHT
BAL /
UNBAL
BAL /
UNBAL
15
LEFT
MONO
16
RIGHT
TAPE
IN
TAPE
OUT
BAL
UN
-
BAL
LINE IN 11 LINE IN LINE IN
LINE IN 12
X
D
R
M
I
C
P
R
E
MIC
11-12
L
R
PHONES
A
B
LAMP
12 V
0.5A
1642-VL Z PRO
16- CHA NNEL MIC / LINE MIXER
WITH PREMIUM XDR
TM
MIC PREAMPLIFIERS
U
OO
+20
OO
+20
U
OO
+15
OO
+15
STEREO AUX RETURN
EFFECTS TO MONITORS
TO AUX
SEND 2
TO AUX
SEND 1
1
2
1
2
3
4
C
-
R / PHNS
ONLY
RETURNS
SOLO
MAIN MIX
TO SUBS
ASSIGN OPTIONS
1
2
3
4
U
OO
+20
U
OO
+20
U
OO
+10
U
OO
+10
AUX SEND
1
2
PWR
PHAN
SOLO
SOLO
1
2
2
3
TRIM
15
16
U
OO
+15
U
O
U
+15
U
OO
+15
AUX
PRE
U
+20
-20
1
TRIM
13
14
OO
U
+15
AUX
U
+20
-20
2
3
4
1
4
U
+15-15
EQ
U
OO
+15
U
OO
+15
U
OO
+15
PRE
U
+15-15
EQ
12k
HI
12k
HI
OO
+15
O
PAN PAN
HI
MID
3K
LOW
MID
800Hz
80Hz
LOW
LOW
MID
800Hz
80Hz
LOW
LR
U
+15
-
15
LR
+15
-
15
U
+15
-
15
U
+15
-
15
U
+15
-
15
LOW
MID
800Hz
U
+15
-
15
LOW
MID
800Hz
U
+15
-
15
U
+15
-
15
HI
MID
3K
SUBS 1
2
SUBS 3
4
MAIN MIX
CR SOURCE
TAPE
OO
MAX
SOLO
RUDE SOLO LIGHT
1
5
2
6
3
7
4
8
LEFT
RIGHT
LEFT
RIGHT
LEFT
RIGHT
LEFT
LEVEL
SET
MODE
(AFL)
LEVEL SET
NORMAL
(PFL)
RIGHT
dB
30
20
10
OO
40
50
5
5
U
60
10
dB
30
20
10
OO
40
50
5
5
U
60
10
TRACK
8
EFX
A
EFX
B
MAIN
MIX
CONTROL ROOM
MAX
OO
MAX
OO
PHONES
U
0 dB= 0 dBu
LEFT RIGHT
OO
+20
TAPE IN
TAPE TO
MAIN MIX
28
10
7
4
2
0
2
4
7
10
20
30
U
U
5
MUTE
6
MUTE
7
MUTE
8
MUTE
9-10
MUTE
11 - 12
MUTE
13 -14
MUTE
15 -16
MUTE
TRACK
7
TRACK
6
TRACK
5
TRACK
4
TRACK
3
TRACK
2
TRACK
1
REC
1
REC
2
U
TRIM
1
LOW CUT
75 Hz
18dB/OCT
+15dB -4 5dB
U
U
OO
+15
OO
U
+15
U
OO
+15
AUX
1
PRE
U
+15
-
15
FREQ
800
2k200
8k10 0
MID
PAN
LR
U
+15
-
15
80Hz
LOW
0
60
2
3
U
+15-15
EQ
U
OO
+15
4
12k
HI
dB
30
20
10
OO
40
50
5
5
U
60
10
SOLO
1
-
2
3
-
4
L/R
OL
-
20
M
I
C
G
A
I
N
-
1
0
d
B
V
TRIM
2
LOW CUT
75 Hz
18dB/OCT
+15dB -4 5dB
U
U
OO
+15
OO
U
+15
U
OO
+15
AUX
1
PRE
U
+15
-
15
FREQ
800
2k200
8k10 0
MID
PAN
LR
U
+15
-
15
80Hz
LOW
0
60
2
3
U
+15-15
EQ
U
OO
+15
4
12k
HI
dB
30
20
10
OO
40
50
5
5
U
60
10
SOLO
1
-
2
3
-
4
L/R
OL
-
20
M
I
C
G
A
I
N
-
1
0
d
B
V
TRIM
3
LOW CUT
75 Hz
18dB/OCT
+15dB -4 5dB
U
U
OO
+15
OO
U
+15
U
OO
+15
AUX
1
PRE
U
+15
-
15
FREQ
800
2k200
8k10 0
MID
PAN
LR
U
+15
-
15
80Hz
LOW
0
60
2
3
U
+15-15
EQ
U
OO
+15
4
12k
HI
dB
30
20
10
OO
40
50
5
5
U
60
10
SOLO
1
-
2
3
-
4
L/R
OL
-
20
M
I
C
G
A
I
N
-
1
0
d
B
V
TRIM
4
LOW CUT
75 Hz
18dB/OCT
+15dB -4 5dB
U
U
OO
+15
OO
U
+15
U
OO
+15
AUX
1
PRE
U
+15
-
15
FREQ
800
2k200
8k10 0
MID
PAN
LR
U
+15
-
15
80Hz
LOW
0
60
2
3
U
+15-15
EQ
U
OO
+15
4
12k
HI
dB
30
20
10
OO
40
50
5
5
U
60
10
SOLO
1
-
2
3
-
4
L/R
OL
-
20
M
I
C
G
A
I
N
-
1
0
d
B
V
TRIM
5
LOW CUT
75 Hz
18dB/OCT
+15dB -4 5dB
U
U
OO
+15
OO
U
+15
U
OO
+15
AUX
1
PRE
U
+15
-
15
FREQ
800
2k200
8k10 0
MID
PAN
LR
U
+15
-
15
80Hz
LOW
0
60
2
3
U
+15-15
EQ
U
OO
+15
4
12k
HI
dB
30
20
10
OO
40
50
5
5
U
60
10
SOLO
1
-
2
3
-
4
L/R
OL
-
20
M
I
C
G
A
I
N
-
1
0
d
B
V
TRIM
6
LOW CUT
75 Hz
18dB/OCT
+15dB -4 5dB
U
U
OO
+15
OO
U
+15
U
OO
+15
AUX
1
PRE
U
+15
-
15
FREQ
800
2k200
8k10 0
MID
PAN
LR
U
+15
-
15
80Hz
LOW
0
60
2
3
U
+15-15
EQ
U
OO
+15
4
12k
HI
dB
30
20
10
OO
40
50
5
5
U
60
10
SOLO
1
-
2
3
-
4
L/R
OL
-
20
M
I
C
G
A
I
N
-
1
0
d
B
V
TRIM
7
LOW CUT
75 Hz
18dB/OCT
+15dB -4 5dB
U
U
OO
+15
OO
U
+15
U
OO
+15
AUX
1
PRE
U
+15
-
15
FREQ
800
2k200
8k10 0
MID
PAN
LR
U
+15
-
15
80Hz
LOW
0
60
2
3
U
+15-15
EQ
U
OO
+15
4
12k
HI
dB
30
20
10
OO
40
50
5
5
U
60
10
SOLO
1
-
2
3
-
4
L/R
OL
-
20
M
I
C
G
A
I
N
-
1
0
d
B
V
TRIM
8
LOW CUT
75 Hz
18dB/OCT
+15dB -4 5dB
U
U
OO
+15
OO
U
+15
U
OO
+15
AUX
1
PRE
U
+15
-
15
FREQ
800
2k200
8k10 0
MID
PAN
LR
U
+15
-
15
80Hz
LOW
0
60
2
3
U
+15-15
EQ
U
OO
+15
4
12k
HI
dB
30
20
10
OO
40
50
5
5
U
60
10
SOLO
1
-
2
3
-
4
L/R
OL
-
20
M
I
C
G
A
I
N
-
1
0
d
B
V
TRIM
9
10
LOW CUT
75 Hz
18dB/OCT
U
OO
+15
OO
U
+15
U
OO
+15
AUX
1
PRE
U
+15
-
15
HI
MID
3K
PAN
LR
U
+15
-
15
80Hz
LOW
0
60
2
3
U
+15-15
EQ
U
OO
+15
4
12k
HI
dB
30
20
10
OO
40
50
5
5
U
60
10
SOLO
1
-
2
3
-
4
L/R
OL
-
20
M
I
C
G
A
I
N
TRIM
11
12
LOW CUT
75 Hz
18dB/OCT
U
OO
+15
OO
U
+15
U
OO
+15
AUX
1
PRE
U
+15
-
15
HI
MID
3K
PAN
LR
U
+15
-
15
80Hz
LOW
0
60
2
3
U
+15-15
EQ
U
OO
+15
4
12k
HI
dB
30
20
10
OO
40
50
5
5
U
60
10
SOLO
1
-
2
3
-
4
L/R
OL
-
20
M
I
C
G
A
I
N
dB
30
20
10
OO
40
50
5
5
U
60
10
SOLO
1
-
2
3
-
4
L/R
OL
-
20
dB
30
20
10
OO
40
50
5
5
U
60
10
SOLO
1
-
2
3
-
4
L/R
OL
-
20
L
R
MONO
(BAL/UNBAL)
120 VAC 50/60 Hz 40W
1A/250V SLO-BLO
TO REDUCE THE RISK OF
FIRE REPLACE WITH SAME
TYPE FUSE AND RATING
CAUTION:
AUX RETURN
(BAL/UNBAL)
DIRECT OUTS
(BAL/UNBAL)
SUB OUTS
(BAL/UNBAL)
C
-
R OUTS
(BAL/UNBAL)
MAIN INSERT
(TIP SEND
RING RETURN)
DESIGNED BY MACKOIDS IN WOODINVILLE, WA, USA
PATENTS PENDING
COPYRIGHT ©1998 • THE FOLLOWING ARE REGISTERED TRADEMARKS OF
MACKIE DESIGN INC.: "MACKIE", "XDR", AND THE "RUNNING MAN" FIGURE
1
1
8
4321
7654321
5
2
6
3
7
4
234
8
L
(MONO)(MONO)(MONO)(MONO)
R
L
R
L
R
L
R
MAIN
(BAL/UNBAL)
AUX SENDS
(BAL/UNBAL)
MAIN OUTS
L
R
L
R
L
R
U
OO
+6
LEVEL
1642-VL Z PRO
16- CHA NNEL MIC / LINE MIXER
WITH PREMIUM XDR
TM
MIC PREAMPLIFIERS
MIC
+4
MAIN
OUTPUT
LEVEL
TIP OUT TO EFFECTS DEVICE
RING RETURN FROM EFFECTS
DIRECT OUT WITH SIGNAL
INTERRUPTION TO MASTER
FOR USE AS AN EFFECTS LOOP
(TIP = SEND, RING = RETURN)
INSERT ALL THE WAY IN TO
THE "SECOND CLICK"
MONO PLUG
XDR
TM
EXTENDED DYNAMIC RANGE MIC PREAMPLIFIERS ARE PROPRIETARY TO MACKIE DESIGNS, INC.
RISK OF ELECTRIC SHOCK
DO NOT OPEN
REPLACE WITH THE SAME TYPE FUSE AND RATING.
DISCONNECT SUPPLY CORD BEFORE CHANGING FUSE
UTILISE UN FUSIBLE DE RECHANGE DE MÊME TYPE.
DEBRANCHER AVANT DE REMPLACER LE FUSIBLE
WAR NI NG:
TO REDUCE THE RISK OF FIRE OR ELECTRIC SHOCK, DO NOT
EXPOSE THIS EQUIPMENT TO RAIN OR MOISTURE. DO NOT REMOVE COVER.
NO USER SERVICEABLE PARTS INSIDE. REFER SERVICING TO QUALIFIED PERSONNEL.
CAUTION
AVI S:
RISQUE DE CHOC ELECTRIQUE — NE PAS OUVRIR
SERIAL NUMBER
MANUFACTURING DATE
STEREO
PLUG
DIRECT OUT WITH NO SIGNAL
INTERRUPTION TO MASTER
INSERT ONLY INTO THE
"FIRST CLICK"
MONO PLUG
POWER
ON
PHANTOM
ON
Vue de la page 0
1 2 3 4 5 6 ... 39 40

Résumé du contenu

Page 1 - 1642-VL Z PRO

1642-VLZ PRO16-CHANNELMIC/LINE MIXEROWNER’S MANUAL1MUTE23MUTEMUTE4MUTELINE ININSERTXDRMICPREMIC 1BALUN-BALLINE ININSERTXDRMICPREMIC 2BALUN-BALLINE INI

Page 2 - CAUTION AVIS

10LINE ININSERTXDRMICPREMIC 1BALUN-BALLINE ININSERTXDRMICPREMIC 2BALUN-BALLINE ININSERTXDRMICPREMIC 3BALUN-BALLINE ININSERTXDRMICPREMIC 4BALUN-BALLINE

Page 3 - READ THIS PAGE!!!

11 LINE INPUTSThese 1/4" jacks share circuitry (but notphantom power) with the mic preamps. Youcan use these inputs for virtually any signalyou’l

Page 4 - INTRODUCTION

12 DIRECT OUT (on rear panel)Found only on channels 1–8, these 1/4" jacksdeliver the signal from the very end of thechannel path; post-TRIM, post

Page 5 - CONTENTS

13 EFFECTS: SERIAL OR PARALLEL?You’ve heard us carelessly toss around theterms “serial” and “parallel.” Here’s what wemean by them:“Serial” means that

Page 6 - HOOKUP DIAGRAMS

14LN-L13LEFTLEFTRIGHTLEFTRIGHTMONOMONOO14RIGHTBAL /UNBALBAL /UNBAL15LEFTMONO16RIGHTTAPEINTAPEOUTBALUN-BALLINE IN 11 LINE IN LINE INLINE IN 12XDRMICPRE

Page 7 - PRO Video setup

15switch in to reduce the output by 30dB, so youcan feed the mic input of another mixer, forexample. Leave the switch out to connect toprofessional +4

Page 8 - PRO Stereo P.A

1613LEFTLEFTRIGHTLEFTRIGHTMONO14RIGHTBAL /UNBALBAL /UNBAL15LEFTMONO16RIGHTTAPEINTAPEOUTLINE IN LINE INPHONESABLAMP12 V0.5A1642-VL Z PRO16-CHANNEL MIC/

Page 9 - PRO Church Installation

17 CHANNEL STRIP DESCRIPTIONA Clean FadeFaders are not rocketscience — they operate bydragging a metal pin (thewiper) across a carbon-based strip (the

Page 10 - PATCHBAY DESCRIPTION

18If you’re printing new tracks or bouncing ex-isting ones, you’ll also use the 1–2 and 3–4switches, but not the L/R switch. Here, youdon’t want the s

Page 11 - LINE INPUTS

19Stereo SourcesUse channels 9-16 to connect stereo soundsources. If you must use the mono channelstrips (1-8) for stereo sources, follow this stan-da

Page 12 - AUX SEND OUTPUTS

2CAUTION AVISRISK OF ELECTRIC SHOCK DO NOT OPENRISQUE DE CHOC ELECTRIQUENE PAS OUVRIRCAUTION: TO REDUCE THE RISK OF ELECTRIC SHOCKDO NOT REMOVE COV

Page 13 - Double Busing

20Used in conjunction with the LOW CUTswitch , you can boost the LOW EQ withoutinjecting a ton of subsonic debris into the mix.We recommend using the

Page 14 - SLEEVERING

21 AUX 1, 2, 3, & 4These four knobs tap a portion of eachchannel’s signal, mix them together and sendthem to the AUX SEND outputs . They areoff w

Page 15 - POWER SWITCH

22UOO+20OO+20UOO+15OO+15STEREO AUX RETURNEFFECTS TO MONITORSTO AUXSEND 2TO AUXSEND 1121234C-R / PHNSONLYRETURNSSOLOMAIN MIXTO SUBSASSIGN OPTIONS1–23–4

Page 16 - BNC LAMP SOCKET

23 CONTROL ROOM AND PHONESThese knobs control the level of the stereoC-R OUTS and PHONES outputs . Eachcontrol range is from off through unity gain

Page 17 - CHANNEL STRIP DESCRIPTION

24 MODE (NORMAL (AFL)/LEVEL SET (PFL))You may have already seen this in the SOLO discussion, but in case you missed it: The1642-VLZ PRO’s solo system

Page 18 - OL (MUTE) LED

25 METERSThe 1642-VLZ PRO’s peak metering system ismade up of two columns of twelve LEDs. Decep-tively simple, considering the multitude of signalstha

Page 19 - 3-BAND MID-SWEEP EQ

26 AUX SENDS SOLOOnce again, in a live sound situations AUXSEND 1 and 2 are likely to feed your stagemonitors. You’ll want to check the mix you’resend

Page 20 - Mono Channel

27(MAIN MIX TO SUBS switch up) and you did adrum fade-out using subgroup faders 1 and 2,the “dry” signals would fade out, but the “wet”signals would k

Page 21 - Stereo Channel

281642-VLZ PRO BLOCK DIAGRAMMAIN LSUB 3MAIN RSUB 2SUB 1SUB 4AUX 1AUX 2AUX 3AUX 4SIP LSIP RPFLLOGIC75HzHPFMID HI80 100 8K 12KLOLR1234SIP LSIP RPFLPHANT

Page 22 - OUTPUT SECTION DESCRIPTION

29GAIN STRUCTURE DIAGRAM+22dBu max in15dB loss, TRIM down45dB gain, TRIM upLINE IN, all channelsMIC IN, all channels60dB gain, TRIM up0dB gain, TRIM d

Page 23 - CR SOURCE

3Part No. 0006983-90 Rev. A1 06/03©2003 Mackie Designs Inc. All Rights Reserved.We realize that you must have a powerfulhankerin’ to try out your n

Page 24 - RUDE SOLO LIGHT

30SPECIFICATIONSMain Mix Noise20Hz–20kHz bandwidth, 1⁄4" Main Out, channel Trims @unity gain, channel EQs flat, all channels assigned to Main Mix

Page 25 - AUX SENDS (MASTER)

31SERVICE INFODetails concerning Warranty Service arespelled out on the Warranty Card included withyour mixer (if it’s missing, let us know and we’llr

Page 26 - 1–2/3–4 (AUX RET 3)

32APPENDIX A: CONNECTIONS“XLR” CONNECTORSMackie mixers use 3-pin female “XLR”connectors on all microphone inputs, withpin 1 wired to the grounded (ear

Page 27 - RETURNS SOLO

33(cold) and the ground (earth) connections ofthe balanced input. If there are ground-loopproblems, try connecting the unbalancedground (earth) connec

Page 28 - PRO BLOCK DIAGRAM

34Using the Send Only on an Insert JackIf you insert a TS (mono) 1⁄4" plug only partially(to the first click) into a Mackie insert jack, theplug

Page 29 - GAIN STRUCTURE DIAGRAM

35TIP (SEND)RING (IN)TIP (OUT)RING (RETURN)TO MIXERCHANNEL INSERTRING (RETURN)TIP (SEND)TO PROCESSORINPUTFROM PROCESSOROUTPUTY-cord insert cableY-cord

Page 30 - SPECIFICATIONS

Session:NOTES:Date:1642-VL Z PRO1MUTE23MUTEMUTE4MUTE5MUTE6MUTE7MUTE8MUTETRACK6TRACK5TRACK4TRACK3TRACK2TRACK1REC2REC1TRIM1LOW CUT75 Hz18dB/OCT+15dB -45

Page 31 - SERVICE INFO

UOO+20OO+20UOO+15OO+15STEREO AUX RETURNEFFECTS TO MONITORSTO AUXSEND 2TO AUXSEND 1121234C-R / PHNSONLYRETURNSSOLOMAIN MIXTO SUBSASSIGN OPTIONS1–23–4UO

Page 32 - APPENDIX A: CONNECTIONS

38COLOPHON(Roll credits please) Manual written by JeffGilbert, based on a musical by Ron Koliha, withtidbits borrowed from almost everywhere. Manualth

Page 33 - UNBALANCING A LINE

391642-VLZ PRO LIMITED WARRANTY3. Make sure that the problem can be dupli-cated. If you bring your product to an AuthorizedService Center and they can

Page 34 - Mono, Stereo, Whatever

41MUTE23MUTEMUTE4MUTELINE ININSERTXDRMICPREMIC 1BALUN-BALLINE ININSERTXDRMICPREMIC 2BALUN-BALLINE ININSERTXDRMICPREMIC 3BALUN-BALLINE ININSERTXDRMICPR

Page 35 - MULTS AND “Y”s

Mackie Designs Inc.16220 Wood-Red Road NE • Woodinville, WA 98071 • USAUS and Canada: 800.898.3211Europe, Asia, Central and South America: 425.487.433

Page 36

5CONTENTSOUTPUT SECTION DESCRIPTION ... 22MAIN MIX FADER ... 22VLZ MIX ARCHITECTURE ...

Page 37 - CR SOURCE

61642-VLZ PRO 8-Track Tracking HOOKUP DIAGRAMSEFX AStereo CompressorEFX BCHANNEL INSERTSCHANNEL INPUTSAUX SENDSBAL/UNBALTAPEOUTTAPEINPHONESOUTSUB OUT

Page 38 - COLOPHON

71642-VLZ PRO Video setupCHANNEL INSERTSCHANNEL INPUTSAUX SENDSBAL/UNBALTAPEOUTTAPEINPHONESOUTSUB OUTSBAL/UNBALC/R OUTBAL/UNBALMAININSERTAUX RETURNSD

Page 39 - 1642-VLZ PRO LIMITED WARRANTY

81642-VLZ PRO Stereo P.A.CHANNEL INSERTSCHANNEL INPUTSAUX SENDSBAL/UNBALAUX RETURNSDIRECT OUTBAL/UNBALMONOMAIN OUTBAL/UNBALLR L RTurntableActive PA S

Page 40 - Mackie Designs Inc

91642-VLZ PRO Church InstallationCHANNEL INSERTSCHANNEL INPUTSAUX SENDSBAL/UNBALTAPEOUTTAPEINPHONESOUTSUB OUTSBAL/UNBALC/R OUTBAL/UNBALMAININSERTAUX

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